(I've even used the same method when animating characters in After Effects using DuIK.)įor my own personal projects using Anime Studio Pro, I use rig switching often, sometimes to transition from one front pose rig to another front pose rig.
I may do an 'in-between' frame from there to complete the side transition. Depending on the animation, I might do two different frames for smoothness or if it's not critical, just one 'in-between' and hold the pose for 2 frames then I switch to the side rig. For example, before making the switch between front to side for the head, shift the facial features in the direction you wish to have the character 'turn'.
(I mainly use this approach because Harmony has no equivalent of Smartbones.) The trick for getting smooth transitions in rig-switching is to design your character so you can shift internal elements to create 'in-betweens' before you make the switch. The rig/character switching method is really not so different from what I do in Harmony at my work place. I learned a lot of what I know by reverse engineering the work others have already done and applying the techniques to my own characters.Īctually, it's not necessarily a less advanced method-what's being described are just different methods and they can be used in different situations to produce similar or very different results by choice. If you dive in directly with a complex character, you'll probably become frustrated trying to understand how any problems are occurring.Īlso, be sure to study the rigged characters that come with the program. Get the technique down using simple shapes with minimal bones before attempting it on a fully rigged character. If you've never done any type of shape morphing/blending before (even in drawing programs like Illustrator), it may take a bit of practice to understand. (This is pretty advanced though.stick to something simpler first.) If you're really clever, you can even rotate 180 degrees by having it transition through multiple key poses. Basically, you want to design your character with enough points so you can 'morph' or blend one view pose to another view pose, and animate the shapes and position of shapes to hit the key poses you want (front to side view, for example.) Then you set up a Smartbone that covers the range of blending between the key poses-once this is set up, can switch from front to side and back again by simply animating the Smartbone. RE: question 1., do you mean turning, like from front to side view? This is typically done using Smartbones to drive two or three key positions.
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